Exhibitions
Gil Yefman: Collaborations
Yefman's multidisciplinary works challenge normative definitions of otherness and examine the way in which personal and collective traumas shape inherent identities.
AME72
The street artist known as AME72 draws inspiration from pop culture and uses bold colors in his stenciled and freehand graffiti works. His installation features ten life-size policemen drawn on wooden boards: smiling on one side, frowning on the reverse. The policemen are designed to resemble LEGO minifigures, a recurring motif in the artist's work.
Aïm Deuelle Luski: The 21st Year to the Demise of Hilmi Shusha
The artist Aïm Deuelle Luski focuses his work The 21st Year to the Demise of Hilmi Shusha (2017) on a specific political event that occurred during the First Intifada. The two works present a reality in which the endless cycle of disaster, threat and terror produces a contemporary form of indifference and alienation. French philosopher Jacques Derrida describes this as a process of disconnection from the suffering of others. The suffering becomes transparent and denied, in a process of formative and defensive violence exercised by the state’s institutions.
Khen Shish: Shut Up!
Khen Shish’s expressionist works are moving, thought-provoking, and galvanizing. In the words of the writer Doron Braunshtein, her works "make you want to go out and do something [...] to act."
Vik Muniz: Lampedusa
Vik Muniz's floating installation Lampedusa was launched during the 56th Venice Biennale in 2015. Constructed in commemoration of the 360 immigrants who drowned during their journey from Libya to Italy, the 14-meter-long paper boat was coated with a giant reproduction of the Italian newspaper that reported the tragedy.
Struggle, Protest – Knight, Mask
This exhibition examines the artists' perspective on struggle and protest and the degree of their involvement, which can range from artistic homage to pronounced activism. The works depict battle scenes, rallies, or protests – some well-known while others are none recognizable. The exhibition revolves around two central images: the mask and the knight. The mask is used for concealment and protection. It provides anonymity and can help the wearer lose his or her inhibitions and express personal freedom.
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